Contributors

Carrie Arnold, A&S '08 (MA), ("A Master of Protein Origami," p. 40) is a public health journalist living in Richmond, Virginia. She has written for The Atlantic, The New York Times, National Geographic, Mother Jones, Nature, and Science, among others.

Julianna Brion ("Jane Austen Lives On," illustration, p. 48) is an award-winning illustrator based in Baltimore. You may have seen her work in The New York Times, The New Yorker, The Baltimore Banner, Penguin Books, and many more.

Melanie Lambrick ("A Dream Device," illustration, p. 14) is an illustrator based on the west coast of Canada. Her work appears regularly in publications such as The New York Times, The Globe and Mail, The Walrus, and Vox.

Eric Nyquist ("A Master of Protein Origami," illustration, p. 40) is an artist and educator working in Los Angeles. His drawings are displayed at NASA's Jet Propulsion Laboratory, have been featured in publications like The New Yorker, and appear on dozens of book covers such as the Penguin Orange Collection.

David Silverberg ("Finding the Virtue in AI," p. 32) is a freelance journalist in Toronto who writes about digital culture, AI, science, and business. He was the editor of B2B News Network and Digital Journal. His bylines have appeared in The Washington Post, BBC News, The Globe and Mail, Canadian Business, and MIT Technology Review.

Julie Stewart ("A Dream Device," p. 14) is a writer, editor, and content strategist who reports on science and medicine. Her work has been published by Medscape, WebMD, Men's Health, Good Housekeeping, Communications of the ACM, the University of Delaware, Penn State Health, and more.

On the cover

Illustrating this issue's cover was a heartfelt undertaking for award-winning illustrator Cat O'Neil (see "Instruments of Healing," p. 34). Both of her parents work in health and social care, and her father is a "wonderfully skilled classical guitarist," she says. "I also know that it will mean a lot to my family to see pieces like this published where the link between health and the arts is cherished." A guitarist and pianist herself, the Scotland-based illustrator has worked with The New York Times, The Washington Post, Los Angeles Times, Scientific American, and the Quentin Blake Centre for Illustration, among others.